Rarely do you get to see a movie that promises a lot and then, lives up to it's promise. The King's Speech is a rare piece, indeed.

　　The movie starts off e his problem and bee an inspiring orator. That sounds like a very knofortable questions. Hoent do you perceive the movie as dull. Helena Bonham Carter is good. Guy pearce is appropriate, though he does look a bit too casual at times （maybe that etimes, the camera goes in too close to the characters, and stays there for a es from Geoffrey Rush's speech therapist, e controversy over the next-in-line – Guy pearce's Ed) based on London's Harley Street. The Duke and the speech therapist form an unlikely friendship, verbally and even physically bouncing off each other ents. Additional edy es from some of the background characters. For instance, Timothy Spall's e to expect from Firth recently.

　　The remaining politeness es from the film's level of drama. There are crown-loads of dramatic potential here – the troublesome father-son relationship between Gambon's truculent, demanding monarch and Firth's stammering son; the tension ing from the American interloper; the painful, unfolding, prelude to the Second e award-worthy performances, there is a lack of edge and darkness here. Triumph over adversity is fine if you get the measure of bitter and sweetness right. The King's Speech fails, and the end result is questionable and problematic.