冼星海(1905～1945)，中国近现代著名的音乐家，中国作曲家。曾用名黄训、孔宇。祖籍广东番禺，生于澳门一个贫苦船工的家庭。1905年 6月13日生于澳门，1918年入岭南大学附中学小提琴，1926年入北京大学音乐传习所、国立艺专音乐系学习。1928年进上海国立音专学小提琴和钢琴，并发表了著名的音乐短论《普遍的音乐》。1929年去巴黎勤工俭学，从师于著名提琴家帕尼·奥别多菲尔和著名作曲家保罗·杜卡。1931年考入巴黎音乐院。在肖拉·康托鲁姆作曲班学习。留法期间，创作了《风》《游子吟》《d小调小提琴奏鸣曲》等十余首作品，1935年回国后，积极参加抗日救亡运动，创作了大量战斗性的群众歌曲，并为进步影片《壮志凌云》《青年进行曲》，话剧《复活》《大雷雨》等谱写音乐。抗战开始后参加上海救亡演剧二队，后去武汉与张曙一起负责开展救亡歌咏运动。1935年至1938年间，创作了《救国军歌》《只怕不抵抗》《游击军歌》《路是我们开》《茫茫的西伯利亚》《祖国的孩子们》《到敌人后方去》《在太行山上》等各种类型的声乐作品。1938年任延安鲁迅艺术学院音乐系主任，并在“女大”兼课。教学之余，创作了不朽名作《黄河大合唱》和《生产大合唱》等作品。1940年去苏联学习、工作，1945年10月30日卒于莫斯科。 在冼星海短促的一生中，创作生活约10余年，共作歌曲数百首（现存250余首），大合唱4部、歌剧1部、交响曲2部、管弦乐组曲4部、狂想曲1部以及小提琴、钢琴等器乐独奏、重奏曲多首。在冼星海的创作中，数量最多、影响最广的是多种多样的群众歌曲。其中有正面表现中国人民的抗日斗争、采用号召性、战斗性的进行曲形式的《救国军歌》《青年进行曲》《保卫卢沟桥》和《到敌人后方去》；有具体展示人民战争壮美的战斗图景、将抒情性与鼓动性或描绘性与概括性结合在一起的《在太行山上》《游击军》和《反攻》；有表现工农群众的劳动生活、采用特定的劳动音调和节奏写成的《顶硬上》《拉犁歌》《搬夫曲》和《路是我们开》；还有为抗战中的妇女、儿童写的《只怕不抵抗》《祖国的孩子们》和《三八妇女节歌》等等。在这些群众歌曲中，冼星海根据不同内容，创造具有不同个性特征的音乐形象，或以具有冲击力的节奏和挺拔高昂、富于棱角的旋律，表现激昂慷慨的情绪和威武豪壮的气势；或以气息宽广的旋律、舒缓沉着的节奏和抒情含蕴的音调，体现革命人民丰富的内心世界。 Xian Xinghai (1905 ~ 1945), China＇s modern well-known musicians, composers China. Former Paul Wong, Kong Yu. Native of Panyu in Guangdong, Macao was born into a poor boatman＇s family. June 13, 1905 was born in Macau, Lingnan University in 1918 into the secondary school attached to the violin, in 1926 to Peking University to study music Chuan, the Music Department Guoliyizhuan study. 1928 Shanghai National Music into the post-secondary school violin and piano, and made a well-known musical short "universal music." Work-study program in 1929 to Paris, in the well-known Tiqin Jia Cong Shi Pa Niao Phil and the other more well-known composer Luo Duka security. In 1931 admitted to the Paris Academy of Music. Xiao Lakang in Tuolu Mu music classes. In France, created a "wind" "zi yin" "d minor Violin Sonata" and other works more than 10, 1935 after returning to take an active part in the anti-Japanese national salvation movement, creating a great deal of fighting masses of songs and movies for progress " Top Gun, "" March of the young people, "drama" Resurrection, "" Thunderstorm ", and write music. Anti-Japanese War after the beginning of salvation drama in Shanghai to attend the second team, after Zhang Shu, together with Wuhan to be responsible for carrying out singing national salvation movement. From 1935 to 1938, created the "Song of Salvation", "resistance is not afraid," "Song of the guerrilla" "We are opening the way", "Siberia＇s vast," "Children of the motherland", "go back to the enemy" "in the Taihang Mountains On "various types of vocal works. 1938 Yan＇an Lu Ren Institute of the Arts Department of Music and the "big woman" Jianke. Teaching, created enduring works "Yellow River Cantata" and the "chorus of production" and other works. In 1940 the Soviet Union to study, work, on October 30, 1945 died in Moscow. Xian Xinghai in the short life, creative life about 10 years, a total of hundreds of songs for the first (the first of the existing 250), 4 chorus, an opera, symphony 2, 4 Orchestral Suite, Rhapsody, as well as a Violin, piano solo instrumental music, and so on, the first multi-ensemble music. Xian Xinghai in the creation, the largest number, the most influential people is a wide range of songs. Among them, the positive performance of the Chinese People＇s Anti-Japanese struggle, the use of the call, the march of the fighting form of "Song of the National Salvation," "March of the youth" to "defend the Marco Polo Bridge" and "go back to the enemy"; concrete display of people＇s war fighting magnificent picture , And lyric or a call to action and the depict the combination of all-embracing "in the Taihang Mountains," "guerrilla army" and the "counterattack"; have shown the masses of workers and peasants working life, using a specific tone and rhythm of work written " Bite "," La Li Song, "" moving the song husband "and" the way we are open "; there for the War of Resistance Against Japan in the women＇s, children＇s book" is not afraid to resist, "" Children of the motherland "and" Women on March 8 Song of the Day "and so on. In these songs of the masses, according to Xian Xinghai, to create a different image of the personality characteristics of the music, or impact with the rhythm of tall and straight and high and full of angular melodies, passionate performance of the generous and powerful emotional momentum Haozhuang; or A broad breath of melody, rhythm and calmly to ease lyrical tone of the Han Yun, reflects the revolutionary people of the rich inner world.如果觉得太长了.给你一篇短一点的.第二篇:冼星海是我国现代音乐史上一位卓有成就的作曲家，他与聂耳的电影音乐一起，构筑了中国电影音乐的骨架，他以澎湃的激昂，鲜明的民族特色，写出了震惊中外乐坛的音乐。是人民敬爱的音乐家，是中国电影音乐创业史上的先驱者。 在冼星海短促的一生中，创作生活约10余年，共作歌曲数百首（现存250余首），大合唱4部、歌剧1部、交响曲2部、管弦乐组曲4部、狂想曲1部以及小提琴、钢琴等器乐独奏、重奏曲多首。 星海根据不同内容，创造具有不同个性特征的音乐形象，或以具有冲击力的节奏和挺拔高昂、富于棱角的旋律，表现激昂慷慨的情绪和威武豪壮的气势；或以气息宽广的旋律、舒缓沉着的节奏和抒情含蕴的音调，体现革命人民丰富的内心世界。 China＇s Xian Xinghai in the history of modern music, a highly successful composer of his film music and Nie Er together to build a framework of the Chinese film music, he＇s passionate emotion, distinctive ethnic characteristics, wrote music that shocked the world Music. Is the people＇s beloved musicians, the film is a Chinese pioneer in the history of the music business.